Maestrissimo is an «allegro e molto vivace» show, which comes halfway between a chamber concert, satirical comedy and a portrayal of the times.

In sheer Yllana style, it illustrates the adventures and misfortunes of a string quartet round about the 17th and 18th centuries (Baroque and Neoclassicism).

Along the same lines as Pagagnini, but with a separate entity, Maestrissimo will delight us with ever so carefully selected aesthetics and hilarious characters. 

It is a comedy which tackles topics such as ethics, creation, originality and the value of art in society, at the same time as it recaps key moments of classical music.